Bonnie Blue Reveals What’s Next After Divorce – Does She Have A Boyfriend?

Bonnie Blue’s personal and professional life has been unfolding publicly with an unusually transparent, and frequently polarising, rhythm, offering a case study in how modern fame is negotiated, monetised and defended by its owner; having risen from an NHS recruitment job into a lucrative online persona, she pivoted deliberately, reportedly earning substantial sums on subscription platforms, and in doing so reshaped the expectations around intimacy, spectacle and self-presentation.

Any sober interpretation of her current dating status must take into account her past relationships: In her later media appearances, she described her marriage to Oliver Davidson, a childhood sweetheart she had first met when they were teenagers, as supportive in the early years of her career, with Ollie, as she calls him, reportedly encouraging her to start doing online sex work and even going to industry events. However, as her public profile grew and the demands of her career demanded different rhythms, the couple gradually drifted apart, and sources now describe them as separated and going through divorce proceedings. Blue has framed this transition as less explosive than a divergence of feelings and life paths.

Tabloid articles and social media photos have occasionally fueled rumors of a new boyfriend. One such instance occurred in late March 2025 when Bonnie was spotted at an NBA game with rapper Lil Mabu. While some media outlets presented this encounter as romantic, others framed it as strategically timed publicity, which coincided, ironically, with a song release that alluded to her persona. When reading such episodes carefully, one must consider how frequently celebrity pairings serve two purposes: they create short-term headlines and provide mutual platform amplification. As a result, one should treat any single paparazzi photo as suggestive rather than conclusive.

When combined with the archival footage of her marriage and early relationship with Ollie, her Channel 4 documentary, which was shot over several months and released during a period of intense public scrutiny, offered a subtly humanizing counterpoint to the headline-grabbing stunts. The documentary showed Bonnie at home, accompanied by a Pomeranian and a small staff, going about her daily business and describing the loneliness that sometimes comes with visibility. This suggested a trajectory in which public spectacle and domestic intimacy pulled in opposite directions, which, according to her, contributed to the breakup of the relationship rather than a single scandalous moment.

Industry observers have reasonably argued that Bonnie’s relationship status — whether single, privately partnered, or publicly linked to another celebrity — functions as a variable in a broader branding equation, a phenomenon familiar from earlier celebrity arcs where personal life is deliberately marshalled to sustain attention; like the carefully staged romances of pop stars or the curated breakups of reality television personalities, Bonnie’s reported interactions and friendships with crew members and collaborators—some of whom double as creative partners—blur the boundary between work and intimacy, rendering traditional labels such as “boyfriend” less useful and more commodified than they once were.

The legal and platform ramifications of her decisions also contribute to the dating question because public controversies, ranging from allegations of filmed encounters with young adults to the cancelled “petting zoo” event and the ensuing OnlyFans ban for “extreme challenges,” have limited her options for where and how she can operate. This has shaped the pool of potential partners who are willing to be visible, implicated, or publicly associated with her. By switching to Fansly after restrictions were placed, Bonnie has demonstrated her adaptability and business savvy, but that same pivot naturally narrows conventional relationship options, creating incentives to keep romantic attachments private or to form partnerships that are explicitly commercial or managerial.

The curiosity about whether Bonnie Blue “has a boyfriend” is revealing from a cultural standpoint because it reveals the desire for intimate details about those who profit from sex as well as a deeper discomfort with transactional intimacy in an era of attention economies. While detractors have framed her actions as indicative of a sensationalist market, supporters contend that her choices are acts of agency and entrepreneurialism, turning her private life into a space where discussions about gender, autonomy, and exploitation collide.

This dynamic can be better understood by drawing comparisons with other public figures. While celebrities like Madonna and Miley Cyrus have used intentional sexual reinvention to redefine their careers, and couples like Beyoncé and Jay-Z have used partnership as a mutual brand engine, Bonnie’s path is unique in that it is transactional and shock-oriented, which adds a layer of scrutiny and suspicion to her personal relationships. As a result, observers have suggested that her closest personal ties may be more operational than romantic—managers, stylists, and photographers who are described in the documentary as “best friends” and daily companions—because these relationships provide both emotional proximity and professional continuity.

From a sociological perspective, Bonnie’s case also follows a larger trend: as influencers and adult creators turn intimacy into a product, normative dating scripts—courtship, marriage, and dating—are being rewritten, sometimes dramatically, with impact on audience expectations, media ethics, and celebrities. In Bonnie’s case, her regular collaborations with onlookers and the young men filmed during the record attempt complicate consent narratives and long-term psychological issues, leading campaigners and commentators to question whether the men involved are receiving enough support and whether celebrity spectacles should be subject to stricter regulations.

Practically speaking, the most plausible public assertion based on the information that is currently available is that Bonnie Blue does not currently have a widely recognized or traditional boyfriend relationship; her marriage to Oliver Davidson is documented as separated and in the process of divorcing, and any subsequent associations, such as the sightings of Lil Mabu and sporadic social media hints, have not, as of the most recent documented coverage, developed into a publicly acknowledged, long-term relationship.

However, if followed by more stable decisions, Bonnie’s increased candour in the Channel 4 series about loneliness, the tradeoffs of hyper-visibility, and the strain on private bonds could lead her to set boundaries that enable deeper, less performative relationships or to create partnerships that prioritize mutual respect and clear terms over headline-driven performance. As an optimistic view, however, the transition out of a marriage and into a reconfigured public life is an opportunity for reinvention and a recalibration of personal priorities.

It would be beneficial for both fans and critics to look beyond the simplistic headline question and take into account the structural factors that influence performers’ private lives. These factors include platform regulations, financial incentives, legal restrictions, and the need for novelty. These factors frequently determine the conditions under which any new relationship could conceivably develop; in other words, answering the question “Does Bonnie Blue have a boyfriend?” calls for more than just a list of partners; it also requires an understanding of the ecosystem that creates those relationships.

The most careful reading of the record is to recognize separation as the dominant fact, publicity as the recurring strategy, and ambiguity as the default state of Bonnie’s romantic life. If future developments change that status—for example, if she publicly confirms a partner or if reliable reporting reveals evidence of a long-term boyfriend—those changes will probably reflect a conscious recalibration of how Bonnie balances commerce, safety, and intimacy.